In the past few years, the Society for Music Theory (SMT) has seen the emergence of a global consciousness as evidenced in special panels organized by the Committee on Diversity (“Asian Influences” panel in 2013), the Post-1945 Music Analysis interest group (Pacific-themed panel in 2016), and the Committee on the Status of Women (Chen Yi … Continue reading Global Perspectives—Global New Music: From Avant-Garde to Rock, Korea to Estonia