The only student of Erkki Sven-Tüür, Estonian composer Helena Tulve shares her former teacher’s  eclecticism and love for nature. Yet Tulve’s music eschews expressionist drama, reflecting more keenly the influence of French spectralism and her studies at Paris’ IRCAM (Institut de Recherche et Coordination Acoustique/Musique). Her compositions often begin with one or two central pitches … Continue reading Global Perspectives—The Music of Helena Tulve