Archive: 2016

Care-Oriented Musicology

by William Cheng Art by Jess Landau (2016) The following is an excerpt from the Introduction to the author’s Just Vibrations: The Purpose of Sounding Good (University of Michigan Press, 2016, foreword by Susan McClary), available both in print and Open… Read More

Pokémon GO: The Music

by Simon Morrison My office at Princeton University became a point of pilgrimage this summer. Tourists, pre-frosh campers, local teens, procrastinating grad students, and even my own five year old stalked the halls of the music department hunting miniature pastel-colored avatars from Kyoto, Japan – aka Pokémon. For some reason… Read More

Music do I hear?

Ross Duffin discusses the types of musical arrangements featured in Shakespeare’s theater in a wonderful post featured on the Oxford University Press Blog.  Click here for the link and for more information on his chapter “Music and the Stage in the Time of Shakespeare” in the forthcoming volume, … Read More

Reflection on Music & Activism in the Wake of Orlando

by Matthew Jones Since the Pulse Nightclub shootings on 12 June 2016, I’ve been thinking a lot about the roles of music and musicology in political activism. How can music soothe individual, collective, and national traumas? What can musicologists do in their work to bridge the yawning gaps between the… Read More

Alex Ross on Music & Violence

In case you haven’t already seen it, Alex Ross’s piece in the current New Yorker includes in its discussion research AMS Member Suzanne Cusick alongside other scholars. Read More

What do All These Beatles Covers Tell Us?

by Christopher Reynolds Photo Credit: Library of Congress, Digital Id cph.3c11094 Studies of cover songs have deservedly proliferated in the last decade. Singers and groups are understood to shape their musical identities in their treatment of an earlier song, indeed, even in their choices… Read More

Launch of New Professional Choral Group: Ora

by Victoria Cooper, Director, Cooper Digital Publishing Ltd ORA – “…a musical comet…” As many of my AMS colleagues know, in 2015 I retired from my position as Senior Commissioning Editor of music and theatre books at Cambridge University Press,… Read More