There’s Always Music in the Air: Sound Design in Twin Peaks: The Return
By Brooke McCorkleDavid Lynch has always walked the fine line between… Read More
By Brooke McCorkleDavid Lynch has always walked the fine line between… Read More
Musicology Now is delighted to offer a series of Quick Takes on music and sound in the reboot of… Read More
By Kristi Brown-Montesano… Read More
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By Nicholas Stevens… Read More
By Gwynne Brown To teach any survey course is to resign oneself… Read More
By John Spilker… Read More
By Jim Buhler Darren Aronofsky’s Mother!… Read More
By Brooke McCorkle The season of fall horror movies is upon us; It reigns the box office and a… Read More
By Mark Durrand Without knowing from the outset that Darren Aronofsky originally conceived Mother! as a critical intervention into the increasingly fraught relationship between humans… Read More
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By Danijela Kulezic-Wilson… Read More
By Erinn Knyt Ultimately it is always in a man’s impact… Read More
By William Cheng and Andrew Dell’Antonio From Plato to Public Enemy, people have debated the relationship between music and… Read More
By Will Gibbons In the years since Gary Jules’s cover of “Mad World” graced an influential 2006 teaser, covers or edited versions… Read More
By James Deaville The teaser trailer to “A Wrinkle in Time” dropped eight months before cinematic release to high expectations and apprehensions:… Read More
By Jacqueline Avila Sony Pictures Entertainment’s trailer for Proud Mary (2018, dir. Babak Najafi) begins with a stationary… Read More
By Loren Kajikawa The trailer for Marvel’s Black Panther, scheduled for release in February of 2018, makes use of… Read More
The trailer is one of the few forms of mediated advertising that the public actively seeks out, and, on… Read More
We are excited to announce that two new editors are joining the team at Musicology Now!… Read More
To the members of the AMS, Many of us in the discipline are alarmed by the ways recent hiring practices have affected the membership of… Read More