How I Got Over
by Robert Fink A complicated skirmish over musical form under capitalism appears to have broken out recently amongst the leftist intelligentsia. The opening provocation, from… Read More
Articles by Kevin Romoser
2013: the Stats
Happy New Year! Here are the 2013 statistics for Musicology Now, formally launched in August 2013. Read More
Perséphone
Perséphone was a mélodrame (with speakers, vocal soloists, chorus, dance troupe, and orchestra) premiered at… Read More
Festschriften 2013
by Michael Accinno Friends, pupils, and colleagues honored, during 2013, three distinguished American musicologists with Festschriften saluting lifetime achievement. Jane Bernstein… Read More
Just For The Love of It
Amateurs, Professionals, and the British Early Music Movement by Nick Wilson Many aspects of the British early music movement (“Early Music”) continue to… Read More
Honors
Each year, the American Musicological Society names as Honorary Members longstanding members who have made outstanding contributions to further our objectives and the field of… Read More
Whither the Théâtre des Champs-Élysées?
by Cesar Leal Gabriel Astruc Inaugurated on April 30, 1913, the Théâtre des Champs-Élysées is an… Read More
Fiddling in the “Last Best West”
by David Gramit We don’t know much about the fiddler preserved in this turn-of-the-century… Read More
Schütz as 20th-Century Invention
by Bettina Varwig Of course Heinrich Schütz was born in the late sixteenth century and… Read More
For Benjamin Britten, Upon the Centenary of His Birth
by Byron Adams “Blessed Cecilia, appear in visions To all musicians, appear and inspire . . .”… Read More