Querying Vulnerability

This series offers a site for self-reflexive conversations about precarity, racism, mentorship, and community. We open the series by asking the question: “What does an anti-racist music studies look like to you?” but welcome prods, nudges, and prompts to develop the conversation.

Queer Affects and Big Feelings: On The I Saw the TV Glow Soundtrack

By Dan DiPiero

Big Feelings and Critical NostalgiaReleased in January 2024, I Saw the TV Glow (ISTTVG) caused an improbable sensation for an arthouse film that never quite coheres into a recognizable genre. Though horrifying, it can’t be called a horror movie; at the same time, though highly stylized and full of teenaged existentialism, it’s too… Read More

Vicente Fernández, Not Just for Latinx Students but for All

By Heeseung Lee

“Y Volver, Volver~, Volver!” (And Come Back, Come Back~, Come Back!): as the explosive chorus of his signature song still mourns, Vicente Fernández Gómez, known as Chente, died on 12 December 2021 in Guadalajara, Jalisco, Mexico, after 60 prolific years as a singer, actor, and film producer. The… Read More

Errantry in Three Folds

By Anne Monique Pace

Reflections on the Errant Voices Conference, April 2022 Consider the adjective “errant.” The word might describe a misbehaving child careening through the galleries of the Uffizi in Florence, Italy, or a knight cresting the peak of a mountain in search of his dragon. An errant traveler might be pursuing a… Read More

Listening, Histories, and the Anthropocene

By Cana F. McGhee

Conferences are inflection points: moments where energies come together and reflect outward in new directions. The following is a report of the May 2022 “Ruptures and Convergences” Conference, hosted by the Music Studies and the Anthropocene Research Network. In the following recap of conference proceedings, I frame the comings and… Read More

Is Country Music Quintessentially American? Or White?

By Nadine Hubbs

The phrase “quintessentially American” arises frequently with reference to country music. In Ken Burns’s 2019 Country Music documentary series and many other instances, it reiterates an established truism—but is there any truth to it? In what sense might country, long known as white music, be quintessentially American music? … Read More

More Troubling Failure(s): Situating Bodies and Research in Art

By Tomie Hahn

Ed. note: This essay is an offshoot from a lecture originally presented as the AMS Committee on Women and Gender Annual Endowed Lecture. Fred Maus and Tes Slominski read responses to that spoken delivery. These are also available to read (Maus; Slominski). I am grateful for the opportunity… Read More

Unsettling Peter Pan

By Victoria Lindsay Levine

I have this theory about Indians. Actually, the theory is not really about Indians, it’s about everyone else. Here’s the thing: although I don’t mean to hurt anyone’s feelings, generally speaking white people who are interested in Indians are not very bright. Generally speaking white… Read More

Speaking and Singing in Beauty: Marianne Faithfull’s Vocal Authority

By Alexandra Apolloni

What makes a voice sound beautiful, or meaningful, or authoritative? And what is at stake for singers when the vocal sounds associated with authority originated from a history of harm? On her most recent album, She Walks in Beauty (2021), singer Marianne Faithfull probes these questions by musically re-imagining the… Read More