https://doi.org/10.63473/DIMW5020 Relatively recently, in a galaxy quite close to home, literary scholar Gerry Canavan vividly captured the ambiguity that shrouded the release of Rogue One: A Star Wars Story (2016). The second Star Wars feature film to be produced after Disney’s well-publicized acquisition of Lucasfilm in 2012, Rogue One… Read More
https://doi.org/10.63473/VYRM8234 Ed. note: This essay is an offshoot from a lecture originally presented as the AMS Committee on Women and Gender Annual Endowed Lecture. Fred Maus and Tes Slominski read responses to that spoken delivery. These are also available to read (Maus; Slominski). I am grateful for… Read More
https://doi.org/10.63473/SRTH6096 On May 14, 2017, while waiting to meet with Chinese President Xi Jinping, Russian President Vladimir Putin was filmed playing two Soviet-era popular tunes on a grand piano: Solov’ev Sodoy’s “Evening Song,” a famous melody in St. Petersburg (the song’s lyrics refer to the city by… Read More
https://doi.org/10.63473/BAWK5198 For some readers, the word “protest” and the sounds of banging pots might call to mind Black Lives Matter protests of summer 2020, the attack on the US national capitol on Jan 6, or the scenes of people banging pots and pans as positive public expressions of support… Read More
https://doi.org/10.63473/HBTS7541 This is a story about ambition and struggle, success and failure, hubris and humility. It’s a story about the way a new pedagogy can change the teacher as much as the students. It starts with a song. I can’t remember where I first encountered Harry T. Burleigh’s… Read More
The place of linguistic translation in the musicological enterprise is a topic that attracted a great deal of attention among members of the American Musicological Society this past fall, in response to queries regarding the role of translation examinations in the graduate curriculum. This week, Musicology Now takes on the… Read More
The place of linguistic translation in the musicological enterprise is a topic that attracted a great deal of attention among members of the American Musicological Society this past fall, in response to queries regarding the role of translation examinations in the graduate curriculum. This week, Musicology Now takes on the… Read More
by Rebekah Ahrendt Back in the summer of 2012, I was researching a French-language theater troupe that worked in The Hague at the turn of the eighteenth century. I ran across a short article written by the great theater historian Jan Fransen in the 1938 issue of the… Read More