Articles

Why do the Amish sing?

by D. Rose Elder Professor Elder wrote this post for the JHU Press Blog at Johns Hopkins University Press, where it appeared on 11… Read More

All by Myself

by Axel Klein NOTE: Musicologists working in Paris archives always raise their eyebrows when stumbling across the exotic name O’Kelly, as inevitably they do. Here… Read More

What I Do in Musicology

by Janie Cole NOTE: The AMS Newsletter of the American Musicological Society features a series of reflections from musicologists who have pursued non-tenure-track careers. We… Read More

Four-Handed Monsters

by Adrian Daub It seems strange to talk about four-hand piano playing as a lost art or a forgotten practice, given how frequently those of… Read More

Dear Abbé

Professional musicologists offer answers and advice. Free. DEAR ABBÉ: I was… Read More

Copland as Good Neighbor

Note: The next installment of the AMS-Library of Congress Lecture Series will be on 7 October in the Library of Congress’s Coolidge Auditorium. Carol… Read More

C. P. E. Bach at 300

by Annette Richards In the 300th anniversary year of the birth of Carl Philipp Emanuel Bach (1714–1788), the music of this experimental, ambitious, and ever-elusive… Read More

Reading Matter

The American Musicological Society awards publication subventions for books and editions in all fields of music scholarship. Twenty-eight books were recently granted $44,000 in funds… Read More

At the Brink in NYC

We wish all the constituencies—musicians, patrons, donors, board, the city of New York—well as they seek to honor the Metropolitan Opera’s stated mission to provide… Read More

Elements of Style

by D. Kern Holoman DISCLAIMER: the curator of Musicology Now here promotes his own book. This situation could be avoided if we had more incoming… Read More

After The Rite

by Maureen A. Carr After the Rite: Stravinsky’s Path to Neoclassicism (1914–1925) (Oxford UP,… Read More