Sounding Objects

Music studies engages with processes of performance, time, and liveness that have the possibility to animate objects and emanate lives, stories, and communities out of material items. These essays emerge out of a focus on a particular material object—past, present, or past-and-present.

“We Are Charlie Kirk” and the Gospel According to AI

By Chase Castle

The rapid fame of an AI-generated gospel tribute song titled “We Are Charlie Kirk” highlights strange new connections between American evangelicalism, political identity, and social media culture. Gospel here refers to both biblical-inflected language and a varied set of musical idioms that have circulated across Black and white communities of… Read More

Ukraine’s War-Time Pianos and the Sounds of Resistance

By Adriana Helbig

https://doi.org/10.63473/SRTH6096 On May 14, 2017, while waiting to meet with Chinese President Xi Jinping, Russian President Vladimir Putin was filmed playing two Soviet-era popular tunes on a grand piano: Solov’ev Sodoy’s “Evening Song,” a famous melody in St. Petersburg (the song’s lyrics refer to the city by… Read More

Be Heard: Acoustic Hailers as Technologies of Not Listening

By María Edurne Zuazu

https://doi.org/10.63473/PGBQ5832 Acoustic hailing devices (AHDs) are high-intensity directional sound systems that produce narrow sound beams with very loud, high sound pressure levels that can be aimed at particular locations: that is, directed to target specific auditors. They are optimized to project intelligible voice messages as well as impactful, attention-commanding… Read More

Melodyne’s Nature

By Catherine Provenzano

https://doi.org/10.63473/WDZP8734 When the German software company Celemony premiered the first market-ready version of Melodyne at the North American Music Merchants (NAMM) conference in Anaheim, California, in 2000, music software buyers and enthusiasts responded to the product tepidly, and with a bit of confusion. Melodyne’s engineering team had envisioned and… Read More

On Letters, “Discovery,” and Cooperation

by Rebekah Ahrendt Back in the summer of 2012, I was researching a French-language theater troupe that worked in The Hague at the turn of the eighteenth century. I ran across a short article written by the great theater historian Jan Fransen in the 1938 issue of the… Read More