Sounding Objects
Music studies engages with processes of performance, time, and liveness that have the possibility to animate objects and emanate lives, stories, and communities out of material items. These essays emerge out of a focus on a particular material object—past, present, or past-and-present.
By Chase Castle
The rapid fame of an AI-generated gospel tribute song titled “We Are Charlie Kirk” highlights strange new connections between American evangelicalism, political identity, and social media culture. Gospel here refers to both biblical-inflected language and a varied set of musical idioms that have circulated across Black and white communities of… Read More
By Ryan Blakeley
https://doi.org/10.63473/SESI2454 In January 2019, Warner Music Group signed a twenty-album contract with the artist Endel. And then in May 2023, Endel came to an agreement with Universal Music Group to collaborate with the label’s artists. These major record label deals would be impressive under any circumstances,… Read More
By Adriana Helbig
https://doi.org/10.63473/SRTH6096 On May 14, 2017, while waiting to meet with Chinese President Xi Jinping, Russian President Vladimir Putin was filmed playing two Soviet-era popular tunes on a grand piano: Solov’ev Sodoy’s “Evening Song,” a famous melody in St. Petersburg (the song’s lyrics refer to the city by… Read More
By María Edurne Zuazu
https://doi.org/10.63473/PGBQ5832 Acoustic hailing devices (AHDs) are high-intensity directional sound systems that produce narrow sound beams with very loud, high sound pressure levels that can be aimed at particular locations: that is, directed to target specific auditors. They are optimized to project intelligible voice messages as well as impactful, attention-commanding… Read More
By Catherine Provenzano
https://doi.org/10.63473/WDZP8734 When the German software company Celemony premiered the first market-ready version of Melodyne at the North American Music Merchants (NAMM) conference in Anaheim, California, in 2000, music software buyers and enthusiasts responded to the product tepidly, and with a bit of confusion. Melodyne’s engineering team had envisioned and… Read More
by Rebekah Ahrendt Back in the summer of 2012, I was researching a French-language theater troupe that worked in The Hague at the turn of the eighteenth century. I ran across a short article written by the great theater historian Jan Fransen in the 1938 issue of the… Read More