Essays About Music and the State

Ukraine’s Avantgarde: A Short History of a Long Tradition

By Leah Batstone

The international attention Ukraine has received in the 270 days since Russia’s full-scale invasion of its sovereign neighbor is unprecedented. The world has never before shown such support for and interest in Ukrainian culture, including the world of the performing arts. Countless benefit concerts have been organized by high-profile orchestras,… Read More

The Eloquence of Noise: The Cacerolazo in Colombia Since 2019

By Juan Fernando Velásquez

For some readers, the word “protest” and the sounds of banging pots might call to mind Black Lives Matter protests of summer 2020, the attack on the US national capitol on Jan 6, or the scenes of people banging pots and pans as positive public expressions of support for health… Read More

Sounding the Path to Dignity: Chile after October 2019

By Natalia Bieletto-Bueno

This essay is a contribution to the Musicology Now Roundtable, “Protest in Latin America: 2019 and Beyond.” “Si el río suena es porque agua lleva” (“If the river sounds, it is because it carries water”) is an old Spanish proverb broadly used in the Hispanic world. It metaphorically expresses that a… Read More

Be Heard: Acoustic Hailers as Technologies of Not Listening

By María Edurne Zuazu

Acoustic hailing devices (AHDs) are high-intensity directional sound systems that produce narrow sound beams with very loud, high sound pressure levels that can be aimed at particular locations: that is, directed to target specific auditors. They are optimized to project intelligible voice messages as well as impactful, attention-commanding warning and… Read More